Wednesday, April 7, 2010

Clash of the Titans

I grew up watching the glorious, campy, jerky-effects ridden Greek mythology movies. Jason and the Argonauts, the myriad Voyages of Sinbad, and especially Clash of the Titans - Ray Harryhausen productions are an indelible part of my childhood. So when I first heard a rumor of Clash of the Titans being revamped, I was absolutely thrilled. What could be better than taking the familiar story and giving its Eighties-era aesthetic a shot of adrenaline? Converting Harry Hamlin into Sam Worthington, pitting Liam Neeson against Ralph Fiennes, and gigantic scorpions; how could it go wrong?

Damn the 3D technological movement, is what I have to say about that. Damn it and throw it out the window.

The remake, which I saw on Saturday with my parents and my boyfriend, simplifies the story from the original, sticking closer to the myth itself. What we lose is basically the Calibos storyline, which is tragic only in that we also miss out on the eternally brilliant line, "Calibos! Be merciful!" Zeus and Hades are the only gods that get screen time (although there is a fabulous call-back to Athena from the original when Worthington unearths Bubo the mechanical owl from a chest of armor). The battle with Medusa has survived basically intact, and Medusa benefits hugely from the improved effects, becoming a sleek and terrifying monster that moves through her temple with sibilant ferocity. The film is fun, exciting in moments, and as fabulously violent as I'd hoped.

Where it suffers, and it does suffer greatly, is in the cinematography. The decision to add the 3D element halfway through filming was a TERRIBLE one - Neeson as Zeus is already filmed through a soft focus lens, and adding the 3D tech makes him almost completely out of focus. It doesn't add anything and it detracts quite a bit. Especially in the shaky-cam, close-up fight scenes, which bothers me in better filmed movies; I hate not knowing who's killing who, and I lost a lot of perspective on the action scenes (which take up the majority of the film).

Clash also obnoxiously hardly ever gives us wide-angled shots. We are treated to an overabundance of close-ups, which in some cases makes sequences tense and exciting. In others, well, I just want to see the damn Kracken, ok? I get that he's huge, and terrifying - show me the breadth of his size. Let me SEE him in comparison to Argos and the cliff; that will truly show me what Perseus is up against.

I'd like to see Clash again in 2D, and see whether or not the viewing quality improves like I hope it will. Otherwise, I'm glad that I saw it, and it was definitely enjoyable, but I think I'll be sticking to Hamlin and Harryhausen.

1 comment:

  1. Waitasecond, Liam Neeson and Ralph Fiennes are not just both in this movie, but are actually good guy versus bad guy again? Who was in charge of casting this?

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