Showing posts with label captain america. Show all posts
Showing posts with label captain america. Show all posts

Monday, May 7, 2012

The Avengers

Let's chat.

There were a lot of things that could have gone wrong with The Avengers, truth be told.  It was helped immeasurably by some solid prequels, great actor choices, and a seemingly great writer/director, but still: I had my suspicions that it was simply going to be too BIG to handle.  Comic film franchises tend to suffer in their later films by the attempt to cram too much shit into one film: Spider-Man 3 was a clusterfuck of bad guys, X-Men 3 was a mess of poorly written plot and badly explained detail.  I was afraid that The Avengers was pulling too many elements together.

1. Joss Whedon dialed back his "Joss-ness."  Yes, I appreciate what Whedon does, and I love the dialogue he writes, but going at this big, hulking Hollywood behemoth with his style turned on 100% was never going to work.  I deeply appreciated that he was able to dial the irony back, and that Tony got the majority of his snark (which is where it should have gone) but that he also wrote the characters who needed to be earnest and transparent in that manner (Steve Rogers and Bruce Banner, mostly).  He found a good balance between his preferred aesthetic and the Hollywood comic machine, and it works.


2. The direction and cinematography were perfection.  Let's talk about Whedon a little more as a director, because this may be his biggest project yet in terms of Hollywood grandeur and dude seriously stepped up to the plate.  Shakey-cam was conspicuously absent - I could see and process everything that was going on, which is exactly what the singular power sets of our heroes demands.  (This is how you know that someone in the visuals department plays Marvel Ultimate Alliance; who else saw the Iron Man/Captain America fusion power?).  In the big fight scenes, the camera moves seamlessly from one hero to the next, so that you can see how, even while they're all fighting their own piece, it's all an interconnected sequence.  I called Whedon a virtuoso on Twitter, and I stand by that.


3. Not a minute was wasted.  Whedon was not playing around: he dropped you into the story, trusting that you'd done your homework and seen the lead-in films, and kicked the movie into overdrive in a matter of minutes.  This made his huge cast of characters easier to juggle, since none of them were burdened with obligatory background; the only characters who hadn't really gotten an origin story already, Black Widow and Hawkeye, delivered exactly as much detail as was necessary to understand their place in The Avengers narrative.  I would totally watch a prequel movie about the two of them being superspies, but for the purposes of this film we got what we needed and not a speck more.

That sense that no time was being wasted meant that, even at 2 and a half hours, The Avengers never drags or feels slow.  It's a briskly paced action film with rapid-fire dialogue that trusts its audience to keep up.

4. Mark Ruffalo is the best-written, and best-acted, Hulk we've ever seen.  I've been told the Edward Norton version of The Hulk gets better on re-watching, but I've never tried to sit through it again so I wouldn't know.  I can say, definitively, that Ruffalo does very different things with the character than Norton does and it works COMPLETELY.  This is not a Bruce Banner who's just been through the gamma ray accident - this is a Bruce Banner who is totally beaten down and defeated.  The way Ruffalo stands, the way he holds his hands, the way he talks to other people are all so indicative of a man who is completely resigned to his life being horrible and isolated.  But, and this is important, this is not a man who's lost control - rather, he is SO in control of every aspect, every emotion, every bodily movement that it's tragic.  Ruffalo gets my three favorite moments in the film, and I like them so much because they say so much about how Bruce lives with the Hulk, and how extraordinarily sad his life has been.  This is also the first time that I've ever been afraid of the Hulk and what he can do on a destructive level.

No, really.  He's freaking terrifying.

THIS PART IS KIND OF SPOILERY, FYI, SO YOU MIGHT WANT TO SKIP TO THE NEXT PARAGRAPH IF YOU HAVEN'T SEEN THE MOVIE YET.

I really loved the way that Ruffalo gives you the sense that, rather than the Hulk being the product of Bruce "getting angry," that he's ALWAYS angry; the Hulk is a product of him loosing the reigns on that anger.  So, you end up with two possible scenarios: Bruce loses control of the Hulk and that destructive energy, and lays waste indiscriminately to everything around him; OR, Bruce CHOOSES to let the Hulk loose, and can thus direct that energy to specific destruction.  Both go back to that idea that Bruce is a man tightly, tightly under his own thumb all the time, and it just makes him so endearing and empathetic as a character.

END SMALL SPOILER


5.  Everyone has a purpose.  This is not to be taken lightly.  You've got a team with three over-powered superhumans and one literal god, and then...two assassin-spies with a lot of gymnastics training and good eyesight.  And yet, I never felt like Hawkeye or Black Widow were shoe-horned in, or a waste of time.  They had clearly defined roles in the party and did some useful, kick-ass stuff.  I was also impressed with Scarlett Johanson's acting, which I haven't been in a really, really long time.  She gets some good scenes and some good lines, and actually delivers on them.


In summary: this movie does not disappoint.  I'm ready for the next round of Avengers, are you?

Tuesday, January 17, 2012

2011 In Review

I don't really have a top ten list of films for 2011 because I don't feel like I saw a complete sample of things that came out - I missed A LOT of movies that I wanted to see.  But several things did come out that, if I had a top ten list, would most likely have made the cut:

X-Men: First Class and Captain America, both two of the finest super hero movies the genre has turned out since, well, ever.

Drive, which won't get nearly as much awards press as I want it to.

Hugo, which I liked a whole lot more than I expected to, due to an unfortunately misleading trailer.

The Girl With The Dragon Tattoo, a movie which manages to be more exciting than both the original source material and the first adaptation.

Margin Call, which I tried to write about but had difficulties I can't really articulate; it's a wonderfully sharp piece of writing and acting that I maybe didn't really understand completely?  There's a lot of financial business that I didn't get, but it's a testament to the power of the actors that it didn't matter.  Check it out if you get the chance - I don't understand how it didn't get a wider release, with the surplus of powerhouse names in it (Jeremy Irons, Stanley Tucci, Kevin Spacey, Bradley Cooper, Demi Moore, Paul Bettany).

Maybe Moneyball?  I didn't write about this one, either, because I have a problematic relationship with it.  I want to recognize the wonderful writing and excellent performances (especially by Brad Pitt, Jonah Hill, and Philip Seymour Hoffman), but...it didn't resonate with me the same way it seems to have with the rest of the world.  I just didn't feel like there was enough of a story to fill the whole time slot - all the bits about Pitt's family life felt like padding to me, and didn't really add anything in terms of emotional development.  I wish it had been a really tightly-focused 60 minute film, concentrating on the baseball aspects of Pitt's character's life rather than a weakly-written relationship with a daughter I didn't care about.  The fascinating moments of this movie are the negotiations and the game itself, not the private lives of the characters.

If I get the chance to see more 2011 films before the end of January, I'll do a list for you guys.  Otherwise, what's above is pretty much my greatest hits of things I actually saw.

My biggest hope for 2012 in terms of film is simple: MORE.  ANIMATED.  MOVIES.  Is it just me, or was 2011 COMPLETELY LACKING in good animation?  I'm not sure I realized it until I watched the Golden Globes on Sunday, but to follow 2010, a year which gave us Toy Story 3, How to Train Your Dragon, and Tangled with a spat of sequels and poorly reviewed items that disappeared almost as soon as they hit theaters seems...sad.  I hope Pixar delivers with BRAVE, is all I'm saying.

Monday, October 24, 2011

The Avengers

I wanted to write about my reaction to The Avengers trailer about a week ago, but I had trouble because there aren't all that many interesting ways for me to say I AM EXCITE, MAY SHOULD GET HERE FASTER.  So, there you go: it's a fabulous trailer, and I have high expectations for the films.

I think it's both interesting and worth mentioning that Marvel has basically taken a backwards approach to The Avengers franchise; usually, you get the ensemble film and THEN the spin-offs.  Do to necessity, perhaps, Marvel gave us the spin-offs first, and now has the herculean task of bringing together half a dozen disparate, egotistical, arrogant and powerful characters.  Some things we should note that Marvel did particularly well in preparing for this task, which are also all reasons why The Avengers has more potential to be wonderful than to fall on its face:

- Giving the characters worth caring about their own films.  Let's be honest: Black Widow, Hawkeye, Agent Coulson and Nick Fury are pretty awesome characters, but none of them are strong enough to carry their own films.  And Marvel wisely didn't try; instead, they built them up through other, more interesting movies.  The Thor movie is sort of the exception, and I think it suffered because Thor himself isn't a very interesting character, but the argument can be made that that film was more about Loki than Thor anyway. 

- Hiring fabulous writers that (most importantly) have experience with ensemble casts.  Joss Whedon writes really good dialogue, and he has shown in multiple venues that he writes distinctive voices for multiple characters really well.  Zak Penn, the other credited script writer, worked on one of the best comic book movies of the last ten years (X2), and fabricated two sequels that, compared to their originals, were veritable works of genius (Norton's Hulk and Elektra, the latter of which I will defend until I die because I actually thought it was fun).  He also wrote X-Men: The Last Stand, and regardless of what you thought of that particular film (I liked it), the dialogue was as solid as its predecessors.  These guys know what they're doing.

- The casting is perfection.  I've already written about how impressed I am with Chris Evans' Captain America (read my review here), and at this point it pretty much goes without saying that Robert Downey Jr. = Tony Stark (similarly to how Patrick Stewart = Professor X).  Chris Hemsworth as Thor was one of the only interesting things about that movie, and Mark Ruffalo certainly can't do worse at being Bruce Banner than anyone already has.  And if I need to mention Sam Jackson's Nick Fury here, you really haven't been paying attention.

- Not introducing a new villain.  I've just convinced myself that the purpose of Thor was actually to introduce Loki, rather than Thor himself, and all of his daddy issues, which means that The Avengers won't have to dedicate valuable time to introducing a brand new villain.  What I hope this means is that we'll get to spend more time seeing how all these egos learn to play nice together, which is honestly more interesting to me than villain backstory.  Which leads me to my last point:

- We're essentially done with backstory.  All of the establishing is done.  We know everything about these people that we need to, so we can get right into the meat of the story.  It really, really bugs me when filmmakers waste time, or spin out a movie longer than it should be; hopefully, with The Avengers we'll get no wasted space.

Thursday, August 18, 2011

Captain America, also I'm really sorry

Google is telling me I haven't posted sine July 19, and I'm really sorry about that (to all 12 people who read this).  The truth is that the last movie I saw in the theaters was Captain America, and it was probably the best movie I've seen this year so far, but then all the newspaper and magazine and "official" reviewers also really liked it and I didn't feel like I had anything unique to say about it.  But I realized I do, so here it it:


One of the biggest reasons this movie succeeds so profoundly is because Captain America is kind of a silly hero, especially considering the position of cynicism most people have in regards to patriotism.  But this movie is utterly unapologetic about this; it owns the Cap, in all his patriotic red-white-and-blue glory, and somehow never manages to make him feel silly or unrealistic.  It's not making fun of him, it's celebrating the ideals someone can have and the heights those ideals can aspire you to.  Literally the only reason Steve Rogers can BE the Captain is because he believes in duty, honor, and always doing what you can to do what's right.  Chris Evans shines here because he's earnest and boyishly idealistic, even after his transformation from Uncanny Valley lightweight into hulking muscle (which, despite what Ebert may think, is 100% real Evans).  I was skeptical when I first heard about the casting, but Evans really owns it.

(Side note: God bless Atwell and whoever wrote her part, because bitch is AWESOME.  She handles a gun as well as anyone, and she has a spine of steel.  She may be in a skirt the whole time, but you never forget that here is a woman who can punch you in the face just as hard as Tommy Lee Jones.  She ROCKS.)

Not to say that there aren't humor moments in the film; there totally are, and they work.  Hayley Atwell especially has marvelous comedic timing and one of the best deadpans I've seen.  She and Evans bounce off each other in a romantic but not sickening way, which brings me to the next thing I think makes this movie great.

It is a period piece set during World War II, and the filmmakers have embraced this past just the aesthetics.  The sensibilities are there, too - no one gets naked in this movie.  People have Heroic Kisses, but there's no sex, and I appreciated the stream-lined quality this gave the film; the Cap is here to do a job, y'all, and that job is SAVING YOUR ASS.  The effects are great on this score, also, as the filmmakers had a tricky job to do with the tech in the movie.  Hydra and the Red Skull are dealing with some pretty advanced stuff, but it keeps a measure of that 50's quality - yes, it's science fiction, but it doesn't look like it's from space or 2,000 years from now.  It's all Tesla coils and blue lightning (a neat callback to the future Iron Man thrusters, but that's a discussion for another day) and even the machinery works.  It's very Sky Captain and the World of Tomorrow, and I mean that with the most sincere flattery.

Which brings me to Hugo Weaving, who I pretty much want to play bad guys all the time.  As the Red Skull he's skulking, whiplash smart, and utterly terrifying...despite having a candy apple colored face.  The facial effects are kind of silly, and it's a testament to how well Weaving plays the articulate gentleman bad guy that he can overcome the visual and still be a chillingly sociopathic Nazi science genius.

So that's why I liked Captain America.  Well, that and all the REALLY COOL action sequences.

Thursday, March 3, 2011

My Summer Movie Schedule

I have a new banner! It is courtesy of my friend Adam, who also writes a movie blog that you should read! It's called Cinematically Yours, and you can find it over there in my sidebar.

Summer movie season is almost upon us, and I can safely say that big budget, high action popcorn flicks are my favorite part of summer (as if you couldn't tell). Invariably, I don't get to see as many of these as I want to (having a full time job really cuts into my movie watching, you guys. But without it, I couldn't afford the tickets. Conundrum!), but I get excited about them, nonetheless.

Let's see what I'm particularly looking forward to!

May 6th: Thor

Apparently my birthday or thereabouts (May 8) is the unofficial start of summer movie season, and it really couldn't make me happier. Speed Racer (2008), Iron Man (2009) and Iron Man 2 (2010) were all released on my birthday, and all of which I loved, so it's hard NOT to be excited about Thor, even though I was never attached to him as a comic character.

May 20: Pirates of the Caribbean: On Stranger Tides
I am afraid of this movie. On the one hand, I remember how EXCELLENT the first one was... and then my other hand slaps me a little and reminds me how terrible the second two were. But we're starting over, kinda, with a new story and new characters. And it'll be big, and pretty, and tropical, and there will probably be rum jokes. So I'll be there.

May 26: Kung Fu Panda 2
GARY OLDMAN. IS AN EVIL PEACOCK. I CAN'T be the only one excited about this, can I? I mean, look how far Dreamworks has stepped their game up with How To Train Your Dragon. It'll be fun, right?

May 30: Hangover 2
Ennh. I'm concerned. But the first one was so, surprisingly hilarious that I have hope.

June 3: X-Men: First Class
You can see from my trailer writeup that I cannot WAIT for this one. X-Men is my comic specialty, and the Hellfire Club has always been one of my favorite villainous organizations. Kevin Bacon as Sebastian Shaw? Yes please.

July 1: Transformers: Dark of the Moon
Michael Bay calls this one "more sinister and frightening" without the "dorky humor" of Revenge of the Fallen. Which I can only take to mean the Nitwit Twins will not be featured, which I take to mean AWESOME. Also I got to watch them film bots on Wacker Drive, and let me tell you, the ravaged streets of Chicago will look fantastic in this. And let's be honest: this could look half as good and I'd still be salivating about it. I loved the first one just that much.

July 15: Harry Potter and the Deathly Hallows, Part 2
WAR IS COMING TO HOGWARTS AND I AM SO READY. I will probably cry all the tears, though.

July 22: Captain America
The Avengers franchise hinges on how good this one will be, and I think it looks super promising. My trailer impressions are over in my Super Bowl entry, but to sum up: visually it looks like they've struck just the right combination between a period piece and a superhero flick. Bring it ON.

July 29: Cowboys & Aliens
Is...is this based on a graphic novel? I just found an image (here) that leads me to believe that, and if so, I would like to read it. Probably not until after I see the movie, though. I've gotten weird about the order in which I expose myself to stories. But! Daniel Craig, Olivia Wilde, the wild west, and alien spacecraft. It's like Wild Wild West, only it looks actually good (I'm sorry, Kevin Kline. I love you, I really do).

August 12: Mr. Popper's Penguins
I never read the book, but Jim Carrey looks charming and I really do love penguins.

(Release dates provided by a combination of teaser-trailer.com and apple.com/trailers. All trailers provided by apple.com/trailers. Also note that this is not a comprehensive list of films being released this summer - just the ones I want to see.)

Sunday, February 6, 2011

Super Bowl Trailer Spots

This was actually a lot more work than I thought it was going to be - I wanted it to be my straight-up first impressions, so I haven't re-watched any of these. In the future when I'm watching them off the Apple site, my analysis will probably end up being more in-depth (not to mention more accurate) than these, because I wrote these up quick while I could still remember everything I'd just seen. And these were definitely teaser spots, nothing more than about 30 seconds of footage. But they were super fun, so this will definitely become a regular feature.

Trailers!

COWBOYS & ALIENS
Initial impressions: GUN TWIRLING, flashy lights, explosions. Naked Olivia WIlde (in some kind of ritual? Whut), dusty deserts, golden text. Teal and orange color palate (as per usual now, it seems), torches, FIRE EVERYWHERE. Peeks of the tech, nothing overwhelming, but a good taste.

Let me tell you why I'm excited about this movie: the wild west is the perfect backdrop for science fiction. It's stark, alien, Mars-like in its scenery; the technological bits and pieces we get to see in this trailer (Craig's wrist cuff, that weird centipede craft, the hovering blue lights) seem to fit right into the orange and reds and scruffy landscape. It's a great opportunity to combine futuristic elements with a gun-slinging story. And almost no one gets it right. Jonah Hex was a TERRIBLE movie, that Will Smith thing (link insert here) was only ok. Firefly is wonderful, or course, but its visual Western aspects aren't consistently present. But this film? This film has promise (italics). Great cast, great effects (from what we've seen), and a director that knows his way around explosions. Sign me up.

CAPTAIN AMERICA
Fucking amazing. The perfect opening teaser - we see Steve Rogers start as a skinny little shit and get pumped full of drugs, he comes out of this weird pod all ripped up and disoriented. One or two WWII boot camp shots, and then BAM! The Captain in full uniform in front of a column of American soldiers. We get his shield as unpainted and shining plate, full color and perfect, and then bullet-pocked and worn. One shot of stealth jet, which tells me they're not staying in WWII time - I THINK Red Skull is the main villain, so maybe they'll take us to the present at the very end? I heard a rumor that they're doing the "frozen in ice" thing to take Rogers to the present.

I was never a Captain fan as a comic reading kid, but this trailer has me PUMPED. Chris Evans definitely looks the part, and it looks like they've captured the spirit and costuming without getting kitschy. I can't wait.

TRANSFORMERS 3: Dark of the Moon
EPIC. Slow mo action, Wacker Drive, NO MEGAN FOX. I LOVE that Michael Bay has slowed the Transformer fights so that I can actually see what's happening - fights are so much better when they're being staged by giant robots. Lots of slow motion leaping on the part of the robots, no transforming sequences which was kinda sad, but it was only about 20 seconds of film.

Honestly? I'm obviously excited about this, since I can't put into words how much loved the first one, but the second disappointed me. It had all the glitz and none of the elegance of composition of the first one. If Bay can reign it in a little, restrain his natural inclination for explosions enough to let the charm of the robots shine through (and you're lying to me if you tell me you don't think Optimus and Bumblebee are charming), then it could really be a hit.

SUPER 8
Train crash, dirty boys running, flamethrowers, Karl Urban? Panicking, some sort of narration that I couldn't hear because the volume was too low. I honestly had NO IDEA what film this was until the very end credits, which I guess is a good thing?

People who liked Cloverfield are probably excited about this one, I'm really not. I didn't like Cloverfield, I never watched LOST; I loved Star Trek, but it wasn't an Abrams story, so I don't think it counts. Super 8, though, looks like something I'd enjoy (explosions, allusions to aliens, etc.) and I can't really tell why I'm not excited. I don't have any patience for Abrams' SUPREME MYSTERY approach when it comes to trailers, but this actually showed me something, so I don't understand my ambivalence towards the film - maybe it's just how disappointed I was with Cloverfield. We'll see how I feel if they release trailers with more to them.

FAST AND THE FURIOUS 5
More of the same. Fast cars, Paul Walker, Vin Diesel. Apparently in Rio de Janeiro now? Sure, why not. The most noteworthy part of this was that the producers seem to have stolen the footage of the huge Jesus statue in Rio from 2012.

My sources (the internet, my boyfriend) tell me that The Rock will feature in this, but from this trailer you wouldn't know it. A waste, since seeing Diesel and The Rock in the same film is pretty much the biggest draw for me. (I LOVED the first three of these. The fourth was kinda lame.)

THOR
The opening narration by Anthony Hopkins is a nice touch. Hurling hammers, thunder storms, pretty predictable stuff. I think at this point we've all seen the Thor trailer, and there's not much new here. Seeing a quiet interlude between Portman and Helmsworth is nice, because I'm a little surprised every time I remember she's in this movie. Mainly I'm glad for that because it means she won't be Lois Lane in the next Superman flick. I like the roaring monster near the end, although it looks a little too much like a J.J. Abrams creation, and every monster he makes looks the same.

I have no emotional attachment to Thor as a super hero, so all this movie has to do for me to be on board is not be boring. So far it looks like it won't disappoint.

PIRATES OF THE CARIBBEAN
It's The Johnny Depp Show, obviously. Boats, tropics, Penelope Cruz. Some guy playing Blackbeard, but all I can think of it Geoffrey Rush. More natives, probably cannibals, and one REALLY cool shot of Blackbeard's ship.

I'm tired of this franchise, guys. The first one was SO GOOD, the second two were SO BAD, and I'm not enamored enough with Jack Sparrow to bring myself to care. And this one does not look like it's offering anything new.

RANGO
Man, that baby opossum is ugly. Johnny Depp is somehow more interesting as a gecko than a pirate, they're in a desert, HOLY SHIT MARIACHI OWLS.

The best part of this trailer was the mariachi owl band. And how freaking ugly Depp's gecko's shirt is. I don't have a lot to say about this, I'm much more excited about Rio.

RIO
Speak of the devil! BIRDS EVERYWHERE, candy animation, fun cha cha music. I think Jesse Eisenberg is the voice of the main parrot? I gotta find out what species the animators think he is, because not even hyacinth macaws are THAT blue.

The animation looks gorgeous. It's candy colored, kinda hazy so it looks really dream like. I think it's about a bird escaping from captivity into the rain forest? So there will be lots of colors and a lush landscape for the story to play out in front of. It looks like it could be a really winner for DreamWorks, which is good as it's following How To Train Your Dragon and we all know how I feel about THAT one. HOLY DICKS, this is FOX MOVIES? Shows how much attention I was paying - is it weird that this just makes me MORE excited about it? The idea that Fox Movies might actually have made a good animated film?

(I can't BELIEVE I thought that was DreamWorks. I could have edited this for you to save my pride, but I didn't. SEE HOW MUCH I LOVE YOU.)

LIMITLESS
Bradley Cooper is a mess and then he's not, lots of glitzy images, numbers holy shit, I love Robert DeNiro. The signature line seems to be "It puts me 50 moves ahead of you," and I'm really trying to get over how much I don't like Bradley Cooper but it just isn't happening.

It looks shiny with a tremendously predictable plot line. Here's my prediction: Cooper takes the drug, is wildly successful, has a run in with DeNiro, violence happens, Cooper is left in the end without his drug powers but deciding he can lead a better life without them. Or he dies. Actually, if he dies, the film might actually retain an interesting element. Knowing what I do I'm not interested.